IDFA DocLab Competition for Digital Storytelling 　　A two-part interactive project about the acceptance of queer youth by themselves as well as by their parents in Christian Korean circles. 　　Sena, (the comma is part of the title) concerns a young lesbian woman whose story emerges from eight anonymous interviews. You follow the narrative on a computer screen that looks like her own personal desktop. You can choose to read notes in old diaries and view photographs (and then return them to folders marked with the relevant date) belonging to this young Korean woman whose Christian faith repudiates her love for another woman. It’s tearing her apart. 　　In Their Garden you hear clips from interviews with a Korean mother who is struggling to reconcile her child’s queer identity with her own Christian faith. The story takes the form of a simple mobile game in which you—in the form of a cute dog symbolizing unconditional love—watch as this mother, like the young woman you got to know in Sena, gradually breaks down barriers on the road to a complete and loving acceptance of her own identity and that of others.

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When a dysfunctional group of unpublished writers accept Hannah into their fold, the last thing they expect is her overnight success. Can these lovable misfits achieve their artistic dreams and avoid killing one another in the process?

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A man makes an unexpected appearance at his younger brother's house in the middle of the night. He needs somewhere to stay and convinces his brother and his wife that he is trouble. Or is he?

A man breaks all ten commandments in a couple of minutes.

Three- or four-authors tried to create stories based on props given to them.

A promising program developer braves adulthood with a new perspective when an unplanned pregnancy fills her reality with questions, chaos and courage

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STONES AND THEIR WHISPERS OF OLD STORIES unfolds as a dialogue between ancient stories from the Transylvanian and Valais mountains, intertwined with contemporary movement. Through the lens of dance, the environment becomes both stage and symbol, where whispers of forgotten stories are etched into the fabric of the earth. With a quiet, observant gaze, the film invites reflection on the ephemeral and enduring, past and present, myth and memory. 　　“Nothing more natural for David Drăgan and Noah Kohlbrenne’s film than the connections it makes between a magical, irrational understanding of life, subject to mysticism and nature, and choreography, that is, organized movement which, before producing aesthetic pleasure, produces spatial knowledge. For STONES AND THEIR OLD WHISPERED STORIES, man – the human body – is an infinitesimal unit of measurement. Man measures little visually, in relation to the vastness of the mountainous landscapes of Transylvania and Valais, upon which the camera gaze with adoration and fear, but also within the superstitions recounted by various interviewees, speaking powerlessness in the face of the incomprehensible. The film is a beautiful reminder that man should not be the measure of the world, but take measure of it.” (Călin Boto)